Friday, August 1, 2014

Press Conference for "Equals" in Tokyo - Photos, Videos & Quotes (2 August)



HQ

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Nicholas Hoult, director Drake Doremus and producer Michael Pruss with Kristen.

Click on pics for larger view. 

DL ZIPS for Photos:  HQ MQs 1 2 3

(There may be some doubling up with the pics in the Zips)

Videos














Quotes & more details on 'Equals' from the Press Conference:

CinemaToday
Kristen talked excitingly about how she feels right now (about starting filiming):
“It took quite a while to prepare for the role. I worked with the director (to understanding the character better) and I’ve enjoyed the whole process. Right now, I get everything (and feel prepared), so I feel really excited about starting filming”

-About her impression on Japan:
“Japan is full of energy, plus everything is all neat & everyone is polite here. These things are different from the other countries around the world. I really like Japan, including those wonderful aspects.”

-About her role:
“I’m going to play a woman who has feeling in a world where you cannot and shouldn’t have any emotion. Even in your normal, everyday life, you could have feelings get in your way, making you stuck in obstacles, and shut yourself in your shell. I might have some of those aspects that I could relate to.”

Eiga
-About Japan
Kristen “I love its culture and people, but I also love being able to walk around freely and go wherever I want to.”

Movie Walker
Kristen started her carrier in the film industry playing Jodie Foster’s daughter in “Panic Room (2002)”and Nicolas made his debut in “About A Boy.”

Both (Kristen and Nicolas) having successful start in the film industry playing child role, the interviewer asked whether they have something in common about it.

Kristen clearly (and jokingly) stated “NOOO!”, with a cute gesture, making people laugh.

Nicolas answered “I haven’t talked about childhood ( and having been child actor) with Kristen, but she has a lot of knowledge and insights. And she is genuine and sincere. By coming to Japan and spending 5 whole days with her, I already feel like I became smarter, too.”

Fashion Headline
-About her character
Kristen:“When you're living, often times emotions could get in a way or you might have to hide your feelings. In that way, I could relate to the character”

Nicolas about starting the fliming:
“If you are in this industry since your childhood, you don’t have much chance to learn about acting other than ‘practice (by actually playing the role you’re given in the film).’ But for ‘Equals,’ I’m sure there’s gonna be so many things to learn from Kristen and the director, so I’m really looking forward to it.”

Variety TOKYO – “Twilight” star Kristen Stewart and “X-Men” actor Nicholas Hoult appeared in Tokyo ahead of production on indie sci-fi drama “Equals” to talk up the challenges of their latest roles.

Hot indie director Drake Doremus (“Breathe In”) and producers Michael Pruss and Ann Ruark were also on hand to field questions Saturday at a Tokyo hotel.

“I can’t stand him,” Stewart joked, when asked about her feelings for her co-star. No mention was made of a sushi meal, widely reported by online gossip sites, that a fellow diner had snapped them sharing the night before. 

“It’s always a weird position to be put in any film where the director chooses two people and is saying ‘Hey, potentially in this world I’m creating you two could fall in love,'” Hoult explained.

“Sometimes [this kind of situation] feels forced and tricky and awkward, but the kind of environment Drake created was straight forward and easy. Kirsten is a great actress and that just makes it very relaxed and my job very easy,” Hoult added.

Based on a script by Nathan Parker, “Equals” is set in a near future in which human emotions, from love to envy and hatred, have been eliminated. The resulting humans, called Equals, are carrying on peacefully, when a disease called SOS (Switch On Syndrome) begins to free dangerous feelings — and the afflicted ones are exiled from society. After the hero, Silas (Hoult), is infected he becomes close to Nia (Stewart), who is also able to feel emotions, while maintaining a safely unemotional exterior.  Thoughts of love and escape follow.

Queried about his own desire to live in an emotionless world, Hoult said: “That obviously would be the easy way out, but no, I like to feel everything, take the highs and the lows.”  

“I’m definitely not afraid of ‘feels.’ My life revolves around it actually,” Stewart said. “Finding the balance between the head and the heart is important but I’ve always been very driven by the gut. Every thought or articulated emotion starts in shapes and colors and putting your finger on that is cool, but it’s not necessary.”

Doremus explained that the world he created with Parker has a positive side. “There’s a beauty and poetry to this society,” Doremus said. “Despite what they left out, a lot of things they did right and that’s important to us.”

“The story has been compared to ‘1984,’ but it’s not that at all,” producer Ann Ruark said. “It’s a love story –it’s not dystopian, it’s Utopian.”

Thus the decision to shoot in Japan, whose minimal architecture, Ruark explains, “expresses that Utopian vision.”

“It’s sexy — That’s all you need to know, really,” said Pruss when quizzed about the wardrobe.

“Equals” will shoot from August 4 to 28 in Japan and then move to Singapore for another three weeks.

Indian Paintbrush, Route One Films and Scott Free Productions are producing, with sci-fi maestro Ridley Scott also serving as producer. “Equals” is financed by UTA Independent Film Group, which also has North American rights.

Release is set for 2015.


Sources 1 2 3 4 5 6/Via 7/Via 8 9/Via YT MQ 1 2 HQ 1 2 3 Translation kstewfansjp Videos: 1/Via 2





New fan photo of Kristen in Japan (1 August)


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Click on pic for larger view.

Source Via Via

Wednesday, July 30, 2014

Tuesday, July 29, 2014

Kristen on the cover of 'Telerama' (France) + new interview



Digital HQ Scans

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"All this circus is fake"

In the next Olivier Assayas movie, Kristen Stewart revealed at 18 with Twilight, plays the assistant of a star. The occasion for the star assaulted by the paps to report the perverse effect of that business.

The most hardened night hawks only just deserted Cannes' night club that was on the roof of palace on the Croisette. In the sticky dust and the lingering odour of cold tabacco another circus is rolling out. After causing a peak of fever during the ultimate red carpet of the competition, Kristen Stewart, the evanescent star of Twilight, comes to make the express promotion of Sils Maria, the movie by Olivier Assayas, where she assures a fantastic acting temperament. In the darkness of the night club returning to the light, the screens sparkle close to the collapsed green plants, the phones and walkie-talkies are overheating, the press agents briefly meet one other and talk without understanding one another, the photographers have they feet caught in the cables. When the young California star finally appears, she sees herself cornered by the sun, a window that underlines her pallor. Big circles are forming at respectable distance, like many security perimeters, where she looks, under the flashes, like a butterfly against the window. "What an unbelievable show! I know it by heart but here it's almost funny to observe it" she said later.

Olivier Assayas movie highlights an expanded register and allows him to softly express the critic of an asphyxiating system. "The movie wasn't written for me [the director thought of Mia Wasikowska first] but the coincidence and timing were perfect. It allows me to say 'fuck'. To show that I'm not fooled by the game of celebrity." Without having to do in a naive way, or be too up-front, on TV or in magazines columns. Kristen Stewart says she's passionate about movies that laid bare cinema's backstage. With Olivier Assayas, she found the occasion to make fun of "The denatured pictures that people devour with voracity... All this circus around me, it's completely fake. I take pleasure in showing it, showing that deep down they don't even reach me. I find the experience exhilarating. Olivier Assayas offered, to Juliette Binoche and myself, a beautiful meditation on women involved in the actress profession. What it costs them. What it brings them. And what they can really keep for themselves."

Kristen Stewart is known for the intensity with which she analyses every script (we nicknamed her the 'Twilight Nazi' for her defence of the original story!). She was very diligent in the way she worked on her role of an 'assistant'. It sends her back to the knots of her own existence, since Twilight, the movie by Catherine Hardwicke, fastly promoted her in the "unbreathable" heights of planetary fame.

"Everything happened so fast et unexpectedly. I was completely isolated. Secluded. Still today, people don't talk to me. They're either stopped from doing it or they don't dare to..." The star's assistant becomes an accomplice and a confident with whom a 'very pragmatic and mysterious' relation goes on. Sils Maria script puts on a face to face similar to the one of Persona by Ingmar Bergman "I'm stroke by the actresses dependence. They absolutely need this hardly acceptable relation, neither really friendly or really professional. Sometimes to the point of obsession. In Sils Maria we really feel that this link overwhelm these women. It intrigues and scare them."

Kristen Stewart doesn't know another life than the one of cinema. Her parents work in the audiovisual media (scriptwriter and manager) and, in spite of their reluctance ("these child-actors are too crazy, you're nothing like them"), she always ardently wanted to have a career on the screen. "At school people saw a tomboy in me. And the casting directors didn't see beyond the teen from San Fernando Valley, the jeans too big on her and her cap..."

Kristen Stewart also interpreted the rockstar Joan Jett in The Runaways and says to be working on an electrical mode, reminiscence of the punk generation. Without any drama lessons or coach she jumps in every role without a safety net. On the set of Sils Maria, she arrives everyday without knowing her lines that she learns at the edge of the set at the last minute. She insists to do only one take, sure to burn everything with the first fire. "'You need to prepare better' Juliette Binoche told me. But I don't think I'm capable of that. If I don't learn my lines in advance it's to avoid dissecting it. As soon as we start a rehearsal, I only see actors at work, I can't stop myself from finding them ridiculous. I'm also afraid to see appear emotions that would not appear again in front of the camera. I watch myself too much."

Olivier Assayas played the game. He hates rehearsals and stays away from the actors with whom he's not looking for any kind of friendship: "I pick them for a part of fantasy that would lose some of their strength if I knew them better. I could not ask them the things I ask them." he explains. At first, Kristen Stewart was disoriented "American actors are used to be bombarded of advices and indications. As soon as a shot is finished, directors start talking, talking, talking... I took two weeks to adapt but I understood that Olivier entirely entrusted the role to me." According to the director, Kristen was also pushed by her encounter with Juliette Binoche: "Kristen was very in awe at her liberty and wanted to learn. She has an absolute control -almost diabolical- of her body and motions. All her movements seemed choreographed as if she had a history of a dancer. Juliette often provoked her to bring her elsewhere. Beyond her simple instinct."

"I don't know how long I'll be able to work without getting into the depth of my technique" says Kristen Stewart. "I feel like I can mess everything up. But I like living on the nerves. Fear is my driving force." Olivier Assayas fully enjoyed this responsive nature. During a swimming scene, he let the actresses completely free of their motions. "He planned everything, I was freaked out" said Kristen. Juliette Binoche ran into the water, throwing her clothes away. Kristen Stewart followed keeping her swimming suit on. "I even had the reflex to divert my eyes like a young American my age would do. This modesty is from my character, not me. I'm not looking for preserving my image. I don't feel any pressure. I'm not afraid to do what I like and I want to always show more. You know what I mean?"

Source Scans Translation Via Digital Scans Thank you.


Jesse Eisenberg talks 'American Ultra' and Kristen during a Q&A with 'The Guardian' (July 29)




Just wanted to know what it was like for him working with Kristen Stewart for the 2nd time in American Ultra?

Kristen and I have similar style of working and a similar sensibility I think. She's obviously a wonderful actress and is also very funny in both films we did, which are comedic in tone but unusually so.

Can you tell us a little bit more about American Ultra? 

We just finished filming this movie so it is a bit early to digest, but it was a wonderful experience playing this role, which is a guy who has no direction in life who discovers he was brainwashed to be a fighter in a government program based on the MK-Ultra program in the States. It turns from a very personal and intimate story of my character and his girlfriend, played by Kristen Stewart, into a stylized and kinetic movie about this guy being hunted.

Source


Monday, July 28, 2014

Jenny Lewis mentions Kristen



Why did you choose Anne Hathaway, Brie Larson and Kristen Stewart specifically?

Well, they’re my friends. Annie and Brie in particular were some of the first people that I played my record for months ago when I first mastered it. Kristen I don’t know as well, but got to know her on the day of the shoot. Tennessee Thomas, who plays drums, is one of my best friends as well. We dressed them in track suits and they were so open and great to watch. They’re just so good that it made my job really easy. We had a blast. We were laughing all day long.

Source Via 


New fan photos of Kristen in Japan (28 July)



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With co-star Nicholas Hoult (Silas). 

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Saturday, July 26, 2014

Friday, July 25, 2014