Saturday, October 30, 2021

Kristen's interview for 'Spencer' with La Presse (Canada)



Google translated. 

Canadian-French media outlet.

When Chilean filmmaker Pablo Larraín asked her to play Princess Diana in a film that is far from a classic biographical drama, Kristen Stewart had no idea whether she could live up to it or not. And that's exactly why she took on this great role in Spencer . Maintenance.

To say that she was surprised that Pablo Larraín called on her to play Diana Spencer hardly describes the extent of her astonishment. At 31, and with more than 20 years of experience behind her, Kristen Stewart had never before experienced such vertigo.

“Before accepting a role, an actor must assess his own skills and take responsibility for what he claims to be able to do,” she confides in a videoconference interview with La Presse . Diving into the unknown and trying to tame the chaos a bit as it presents itself is obviously part of this job, but you still have to be confident in your abilities. In this case, I had absolutely no idea. I also told myself that at this point in my career and in my life, as an artist, I had to move towards terrifying things. Otherwise, you might as well stop everything! "

An ambitious summit

A planetary star since the first installment of the Twilight film series , the actress has over the years made a point of lending her talent to filmmakers from elsewhere, just to transform an image that may be a little too smooth for her liking. Walter Salles called on her in On the Road . She recently told the Sunday Times that the two feature films she shot with Olivier Assayas, for her , amounted to an ambitious summit, of a genre that had never before appeared on her path.Sils Maria and Personal Shopper , are among the few that she is truly proud of. Benedict Andrews had him play Jean Seberg in Seberg . That said, that role of Diana in Spencer.

During a recent presentation of Spencer at the London Film Festival, Kristen Stewart saw Jack Nielen and Freddie Spry, the two young actors who, in Pablo Larraín's film, play Prince William and Prince Harry.

“I was completely ready to navigate in there and get involved in the character,” she explains. I wanted to learn everything from Diana to better forget everything then so that the instinct is installed through the soul of the character, his way of moving, of expressing himself too. Even if Spencer is not a classic biographical film, it was necessary to keep a background of truth. "

Even before the appearance of the first image, we are also warned. Spencer is a "fable inspired by a real tragedy". The setting in which the plot takes place is real, but Pablo Larraín, to whom we owe in particular No , Neruda and Jackie , nevertheless offers a fictitious vision, sometimes even bordering on surrealism. The screenplay, written by Steven Knight ( Burnt , Allied ), focuses on Diana's last Christmas party with the Royal Family, at Sandringham House in 1991, before she divorced Prince Charles.

A story exploded

Kristen Stewart evokes an experience that is both “strong and strange” and praises the quality of a work where “no one claims to know anything”. Even though the tale is shattered and sprinkled with evocative mental imagery (Diana even has visions of Anne Boleyn, whom her husband Henry VIII ordered beheaded), the craftsmen still followed certain rules.

“As long as something seemed wrong, we gave up,” explains the actress. For example, we wanted me to smoke a cigarette in a scene, but in the end we didn't because Diana hated smoke. On the other hand, the episode of his life that the film echoes has been the subject of so many contradictory interpretations that we liked to play on this mystery. Everyone wanted to know her, but, ironically, and sadly, no one could claim to really know her. "

When the Princess of Wales tragically died in a car accident in the tunnel under the Alma Bridge in Paris in 1997, Kristen Stewart was a little girl. She grew up keeping the image of a simple, honest and open-minded woman, in whom there was some discomfort because she was unable to cheat and hide anything. Like a thread constantly under tension.

“It is also completely paradoxical to note the discomfort of a woman who nevertheless had an exceptional ease to approach people, to make them feel good. It was innate in her, like a natural talent. "

At turning point?

Since the launch of Spencer at the Venice Film Festival, several observers have claimed that Kristen Stewart offers a composition worthy of an Oscar citation. In the eyes of an actress whose career began at the age of 9, it is difficult to determine if this feature film will mark a turning point, but it is certain that the role she plays in it is undoubtedly one of the most important. that she will have played. Having grown up on movie sets thanks to her parents, both part of production teams, Kristen Stewart could not have seen her life elsewhere.

“I believe I have been biologically contaminated! she says. When I was little, I insisted that my mother let me audition. I was extremely embarrassed and found a way to express things there. If it hadn't worked out as an actress, I would probably work in a film profession, maybe in artistic direction. In any case, I would try to get as close to the movie sets as possible, that's for sure. "

Kristen Stewart felt that it would have been better to stop everything rather than turn down the difficult role Pablo Larraín offered her in Spencer .

Now in her thirties and having access to more complex roles, the actress is reluctant to talk about new maturity, but she appreciates the range of characters she has access to.

“If I could pull myself away from myself and look at myself from the outside, I would no doubt see a progression that I am proud of. I admit that for the moment, I like to age. It's a great feeling. As if heart and mind could finally meet. As for the Oscars, it's not for me to decide… ”

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Kristen on the cover of Sight and Sound Magazine UK - December 2021


 

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Kristen's interview with the Irish Times for 'Spencer'


Kristen Stewart was just seven years old when the news broke that Diana, Princess of Wales, had died in a car crash. The Los Angeles-born actor has something more than a sense memory of the days of global mourning that followed. 

“I remember all the flowers in front of Buckingham Palace and I knew something terrible had happened,” Stewart recalls. “I could feel the emotion around it. There are certain events in history that stick out for you as a kid. You are a bubble. I wasn’t old enough to remember how I felt. I just remember it happening. And now it’s hard to sift through my relationship with her as a figure from any perspective because I’m so in it.”

Not everything you do in life is going to hit. I went into this fully prepared to fail. But, you know, Diana was not allowed to make mistakes

She smiles from under a sweep of blonde hair and a baseball cap. “And I’ve kind of become so obsessed with her. I think she was amazing. I think she was cool. She made the world feel pretty special. I want to be near that.”

In an era when biopics are increasingly characterised by turns that are muscular but removed from their subjects – Joaquin Phoenix’s Johnny Cash, Lindsay Lohan’s Elizabeth Taylor – Stewart’s astonishing turn as Princess Diana in Spencer is a welcome anomaly. A startling portrait that captures the voice, the walk, and every tiny mannerism (however paradoxically theatrical) of its subject, it is an uncanny performance, one that goes for broke and places Stewart as an early bookies’ favourite for best actress at next year’s Oscars. 

An eye-opening sequence sees Stewart running – just as the former Lady Di would have sprinted – wearing all of the subject’s most iconic costumes in succession.

“It was so extremely physical,” says Stewart. “It was like taking up a sport. It’s funny, you know. You wouldn’t think that just pretending to walk and talk like someone would be so muscular, but I can’t sound like her without literally working out my face for months. And there’s something about the movie. Once it finds its footing, it really just never stops. It takes place over three days and the movie is a little over an hour and a half, but we shot it for three months and so to sustain that was genuinely exhausting – in a good way. It’s a good feeling to come home and just kind of collapse.” 

This writer remembers interviewing a spooked Naomi Watts in 2013, after the actor, who had come under heavy fire for playing Diana in the eponymously titled film from Oliver Hirschbiegel, walked out of a high-pressure interview with Simon Mayo for BBC Radio 5 Live. More recently, Daily Mail readers watching The Crown have been horrified to learn of actor Emma Corrin’s scenes headlined thusly: “Royal experts slam The Crown’s Diana bulimia scenes as ‘too graphic’ after viewers see her gorging on desserts before forcing herself to be sick in palace toilets”. 

“Of course, I was petrified that people were not going to respond well,” says Stewart, as we meet in the hours before the film’s London premiere. “But as soon as I saw the movie, and even before – as soon as we started making the film together – I knew that we had such pure intentions that even if we completely missed the mark – a mark which didn’t exist – but even if we fell flat on our faces, it was worth trying. Not everything you do in life is going to hit. I went into this fully prepared to fail. But, you know, Diana was not allowed to make mistakes. She wasn’t allowed to make choices. I read this thing, and I was like, how lucky am I. I took the lead from her.”

Spencer, the ninth feature from Chilean film-maker Pablo Larraín, who previously directed Natalie Portman to an Oscar nomination for her depiction of Jacqueline Kennedy in 2017’s Jackie, is daringly impressionistic. Set over an awful Christmas break with the British royal family at the Queen’s Sandringham Estate, Spencer casts Stewart as the eponymous princess who, by 1991, is struggling with an eating disorder, constant surveillance, her husband’s infidelity, and duty.

Stewart went all out in her preparations for the role – including more than a few wild fantasies – even if practicalities prevented her from growing her own hair into the iconic Lady Di hairdo. 

As long as I stayed present and honest, people will bring their own memory of her and their own projections. My job was to allow for people’s own relationship with history

“It was a lot,” says Stewart. “Every part of it. I am not a sporty person. From the first time I put the wig on. I really wanted to have my own hair but I couldn’t. It was a logistical thing. I spoke to the woman that designed the hair because I was really sure that I wanted to be able to run my hands through and be able to get it wet. She said: you will literally be in the haircare for three hours a day. And we will shoot for eight. It was going to be such a difficult job to maintain.

“I felt like she already has so many layers on. So many veneers. I knew that we were allowed to deconstruct Diana. Her aesthetic is iconic. But Pablo gave me a really good bit of advice towards the beginning, when it was quite daunting. If you get one or two details. If you pick a few things that you identify with – specific things that you feel are really defining for her – then others will fill in the blanks. As long as I stayed present and honest, people will bring their own memory of her and their own projections. My job was to allow for people’s own relationship with history.”

Stewart was born in Los Angeles to John Stewart, who worked for Fox TV, and Jules Mann-Stewart, an Australian script supervisor and film director. When she was just eight, an agent signed her after watching her sing in a school play. Aged 12, she proved a capable screen partner for Jodie Foster in David Fincher’s Panic Room. Aged 17, she was an overnight global sensation at the centre of Twilight. She has, in common with the princess she has just essayed, been a tabloid and paparazzi favourite ever since.

Stewart has parlayed her fame into a fascinatingly international career. Interestingly, she and Robert Pattinson, her co-star in Twilight, have been equally determined to explore interesting work with challenging directors. Neither has slipped into the easy option of endless empty blockbusters (though there have been a few here and there). She has become something of a regular at Cannes. Her spooky performance in Olivier Assayas’s Personal Shopper thrilled the 2016 event and, no doubt, helped Assayas to the best director prize. In 2014 she won a César Award – often dubbed the French Oscars – for her performance in Assayas’s Clouds of Sils Maria and remains the only American actor to have secured a prize at that ceremony. 

The European experience did much to help her escape from the Twilight shadow. The French critics were quicker to accept her as a serious performer than the scribes in America. Few can now dispute that she is among the world’s most respected young actors. The Oscar nomination is practically nailed down. 

“Well, I love Hollywood,” she says. “I love making movies in America. It’s undeniably an industry – the Hollywood movie business. You know what I mean? People want to make money doing it. That’s the fuel in the engine. But there are artists that rise to the top there. They have specific perspectives that transcend and are beautiful and are true. Their catalyst is more pure than wanting attention or fame or money. But primarily it’s glitz and glamour.”

There is, of course, some of that in Europe. But the attitudes remain different.

“There is a reverence for directors,” she says. “I love romanticising. Good movies are made by a singular director. Sure, it’s a collaborative experience, but somebody needs to carve that path and allow everyone to walk through. I think when something is good it’s because it’s from one person’s perspective.” 

She continues to attract the attention of the best directors. Next up, she appears alongside Viggo Mortensen and Léa Seydoux in David Cronenberg’s Crimes of the Future. Cronenberg has previously used Pattinson as a something of a muse. It all ties up.

“I love European cinema. I love them both. I love American independent cinema. I love movies from the 70s. I really identify with that steadfast passionate attitude – ‘we’ll do anything to make our movie’. It’s just kind of viewed in a different light there. Also, apples and oranges. You know what I mean?”

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Kristen and Pablo Larrain at a 'Spencer' screening Q&A in LA - 29 October 2021

 

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ByClaytonDavis Stopped to hang and moderate a convo with Kristen Stewart and Pablo Larraín for their gem called 'Spencer' for some Academy and industry voters.

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Friday, October 29, 2021

Video: Pablo Larrain talks 'Spencer' and mentions Kristen with Bonnie Laufer Krebs

 

Kristen will moderate a virtual town hall with Joan Jett and Kenny Laguna on 3 November

 


...it's a VIRTUAL Town Hall with Joan Jett and Kenny Laguna to celebrate the 40th Anniversary of Joan’s two breakthrough albums, moderated by Kristen Stewart on November 3rd! 

Details below for your chance to attend.

EMAIL rsvp@siriusxm.com

INCLUDE “Joan Jett” in the subject line of the email and include your full name, valid email, and cell phone number in the email.

All requests must be received by 7pm ET on November 2nd. Forty (40) eligible responders will have their chance to be a part of this Virtual Event on November 3, 2021. Must be a U.S resident least 18 years of age to participate. Incomplete responses are ineligible to be selected. Limit one participant per household. Only winners will be notified via email.

We will post details on how and when this can be viewed when available.

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Video: Kristen and Pablo Larrain's interview for 'Spencer' with ET Online

 


Source YT Korita05

Video: Kristen's interview with CBC News for 'Spencer'

 

Scans: Kristen's interview for 'Spencer' with Newsweek

 

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