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Showing posts with label Against All Enemies. Show all posts
Showing posts with label Against All Enemies. Show all posts
Thursday, July 25, 2019
'Seberg' will have it's world premiere at the Venice Film Festival on 30 August 2019
'Against All Enemies' is now titled 'Seberg'.
It will premiere at the Venice Film Festival out of competition.
'Seberg' will premiere on 30 August at 10pm CET. A photo call and press conference is expected to happen during the day before the red carpet premiere.
There will be a second screening on 31 August at 6.15pm CET.
It will premiere at the Venice Film Festival out of competition.
'Seberg' will premiere on 30 August at 10pm CET. A photo call and press conference is expected to happen during the day before the red carpet premiere.
There will be a second screening on 31 August at 6.15pm CET.
The film festival runs from 28 August to 7 September 2019.
If you're in Venice you can purchase tickets here.
If you're in Venice you can purchase tickets here.
Source
Sunday, February 10, 2019
Amazon acquired 'Against All Enemies' for distribution in the US
After dominating the Sundance market by buying five of the hottest films, Amazon Studios has landed U.S. rights to Benedict Andrews’ political thriller Against All Enemies.
The film, which stars Kristen Stewart, Jack O’Connell and Anthony Mackie, is inspired by true events surrounding French New Wave darling and Breathless star Jean Seberg, who in the late 1960s was targeted by the FBI because of her political and romantic involvement with civil rights activist Hakim Jamal (Mackie). She was the focus of the FBI’s attempts to disrupt, discredit and expose the Black Power movement. Anna Waterhouse and Joe Shrapnel wrote the screenplay.
Amazon made the move for Against All Enemies after viewing only a promotional reel. The film is currently in post-production, and Memento Films is handling international sales at the Berlin market.
Against All Enemies also stars Colm Meaney, Margaret Qualley, Vince Vaughn, Zazie Beetz, Stephen Root and Yvan Attal.
La La Land's Fred Berger produced alongside his Automatik partner Brian Kavanaugh Jones as well as Kate Garwood, Stephen Hopkins. Marina Acton, Alan Ritchson and Brad Pilz also produced, while Waterhouse and Shrapnel executive produced.
As Jen Salke settles into her new post as head of Amazon Studios, the company has shown a voracious appetite for the hottest properties available at recent markets like Sundance and now Berlin. In Park City, Amazon bought four narrative features and one documentary for a record-setting $47 million dollars -- Late Night, The Report, Brittany Runs a Marathon, Honey Boy and One Child Nation. The Shia LaBeouf starrer Honey Boy also was produced by Automatik.
UTA Independent Film Group negotiated the deal with Amazon on behalf of the filmmaking team and financiers.
Andrews is repped by UTA, Paul Hastings and Judy Daish.
Mackie is handled by UTA and Inspire Entertainment.
Qualley is repped by UTA, Management 360 and Harris Hartman.
O’Connell, Shrapnel and Waterhouse are clients of CAA, while Shrapnel and Waterhouse are additionally repped by Grandview.
Stewart, Beetz and Root are handled by Gersh.
Vaughn is repped by WME.
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Wednesday, February 6, 2019
Director Benedict Andrews shares potential title artwork for 'Against All Enemies'
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This photo could include the title artwork for 'Against All Enemies'.
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New 'Against All Enemies' Image
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This is a market promo image for 'Against All Enemies' at the European Film Market in Berlin in February. Memento Films, the film's sales rep company, will be going out to market for distribution.
Thanks to Gossipgyal
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Thursday, October 25, 2018
Kristen interviews Lily-Rose Depp for V Magazine (Issue V116)
"TEXT: KRISTEN STEWART"
KRISTEN STEWART I saw the pictures. They look really nice and honest.
Oh, thank you. That’s actually what Luke and I were going for. Luke is a really good friend of mine and has been for years. It’s nice being able to work with people like that—like doing this interview with you—someone that I know. Luke knows me so well and I’ve shot with him before, just by ourselves.
It’s a gift that’s usually not given, being able to fully share your truth. And actors are desperate for that.
The first shoot I ever did with Luke was very simple because we were just shooting for fun. I did my own hair and makeup and we just pulled clothes from my closet and my mom’s closet.
By the way, the entire world listens to that and literally goes, screw you. [Lily-Rose laughs.] Because we all go through our mom’s closet, but like, yours is definitely a different story.
Yeah, it’s definitely not the same vibe as everybody’s mom. I definitely am lucky because my mom has kept all of her old shit from when she was younger. So it’s like a gold mine in there. But we just did it so simply. It was literally just us picking stuff out and just taking pictures. You can tell that when I’m looking into his lens, it’s like I’m looking into my friend’s eyes.
It’s dope that you’re already able to work with people who allow you to do that. It took me years to be able to gure out exactly how to own my voice and not feel nervous about it or like I was providing answers to questions that I didn’t really have answers for. And then all of a sudden I’m saying something I don’t mean.
I am really shy when it comes down to it, which is why I love acting so much. It allows me to get out of my own head. I have a way easier time acting like someone else than acting like myself.
What have you been doing? What’s feeding you right now?
Well right now I’m preparing for this role I’m going to be playing next year. I’m not sure if I’m allowed to say what it is yet, but it’s something that requires a lot of research and preparation. I’m just getting a head start on the research process and really enjoying it. And I just shot this Netflix movie called The King earlier this summer. I play a French princess with a French accent, so that was really fun. I recently went to TIFF with Louis Garrel’s movie.
Wow. How does it feel to work with someone like that? Because that blows my fucking head off.
We started rehearsing months before because it was really particular shooting certain things. We shot really fast and on film, like on 35 millimeter. We kind of had to know the shape that each scene was going to take before we even got there.
Yeah and he’s also the son of a brilliant director. It’s kind of in both of your breeding. It’s trippy.
For sure. And I think that he has great respect for his father who is a great director. And I have so much respect for both of my parents as well. It’s definitely something that we were able to level with each other about.
That’s cool. Dope. Where are you living right now? I know you’re in Paris right now, but is that where you’re based?
I’m based in L.A., but I kind of feel like I’m based in both places. I definitely feel like I get more done in Paris. I also like walking, and being able to walk around my neighborhood.
Yeah, with L.A., you’re just kind of floating around. Whereas in New York... you hear [the city] all the time. So you’re like, I should be engaging with that.
It’s funny you should bring up New York, because I’m staying in New York for a few months this fall. I feel like with every change like that, you grow so much. And I feel like this year I’ve done a lot of growing and become more independent. So I think that will be good for me.
That will be so much fun. The first time I stayed in New York for an extended period of time was on a movie and... This is going to sound super irresponsible, but I didn’t sleep there that much because I was so excited to be there.
I have a good feeling about it. It goes with my trying to be more independent. I feel like I’ve come into my own a lot as a woman this year so I feel like it’s going to help me continue on that road.
Wow, that’s good. That’s a nice thing to be able to fully say. [That’s] fucking amazing. What about Chanel stuff? I literally remember seeing you in a makeup room and you must’ve been 14 or 15 and I was like, “She looks fucking cool. I want to be friends with her.”
I did my first campaign for them when I was 15, which was crazy. I remember when they told me, I thought I was dreaming. For a 15-year-old girl to be told that, I was just so excited and just couldn’t believe that they wanted me. Karl [Lagerfeld] and I actually met when I was like eight, with my mom. He’s so sweet. It really is rare to find someone like that who is such an icon in so many ways, and has been for so long, but who is just such a genuinely sweet and welcoming person. We will send each other pictures of our cats.
That’s so sweet! Yeah, not to be a weirdo, but you meet the very best and the very worst type of people in fashion. Like literally, the worst, mean, nasty, just like crawling and climbing up, awful people. And then you meet the most creative, wild, just completely unique individuals.
I also think the way that fashion ties into cinema is really interesting. To me, the hair and makeup and costume of a character are so crucial to me.
Totally. I kind of hate when people ask me this in interviews, but I also feel like it’s an interesting question: What is your favorite movie?
It’s okay, I get it all the time. I feel like I grew up watching so many old French movies. I grew up watching so many Louis de Funès movies. La Boum, which I love. Nobody’s gonna know what that is. It’s this old French movie. And then Peau d’âne with Catherine Deneuve is one of my favorite movies ever. It’s iconic.
You’ll have to forgive me because you’re all French and shit. [Laughs.] What’s the English title?
I actually don’t know...I’m going to look it up right now. I wonder if it’s called Donkey Skin? Probably not. That’s not a very nice title. But that’s one of my favorites. Catherine Deneuve plays this amazing, magical princess and then she puts on a donkey carcass and runs away into the forest.
Honestly, it’s pretty cool that you grew up with that. You know, most people don’t have a real reason to start watching French films and foreign films at such a young age. It’s very cool that you started so little. You’re lucky for that.
Don’t think that I didn’t watch Twilight when I was younger, too! I was a huge fan. You’re not gonna escape it.
[Laughs.] Oh my god, that’s so funny. So what the fuck else? Do you read a lot?
I do. I read a lot. I’ve been obsessed with Haruki Murakami for years. He’s my favorite author. I’m reading The Basketball Diaries by Jim Carroll right now, which I’m really enjoying. My little brother actually, who’s 16, is reading constantly. This summer, we were on vacation and he’s like, “Oh, have you read Bukowski? I’m loving this book.”
That’s so cool and so cute. By the way you should definitely read Bukowski, he’s my fuckin’ boy. He’s one of my all-time favorites. Would you ever want to make a movie? Are you interested in directing at all?
I don’t know. I would never say never. Maybe later in life. Would you want to direct a movie?
Yeah, yeah totally. I’m really reaching towards that right now. Let me just tell you all about it. [Laughs.] I feel so self-conscious talking about myself in your interview. But I’m adapting a memoir right now. I’ll text you about it. You should read it.
I would love to. That’s awesome that you’re doing that. Certain books really pull you in and really take hold of your imagination. And it’s like creating your own movie in your head, which is something I love about reading.
I only started reading off my phone out of necessity, like if I’m on a movie or something and don’t have a book. I also just got super crazy addicted to podcasts.
I just listened to this podcast that compares the lives of Jane Fonda and Jean Seberg who are two people that I find so interesting. And I was just walking on the treadmill for half an hour, just learning all of this new information.
Dude, I can’t believe you just said that. I just played Jean Seberg in a film I wrapped like two weeks ago, about her affiliation with the Black Panthers and the FBI take[down]. That’s so random.
Oh my god, that is incredible! That’s such a sick role. I can’t wait to see it.
Wow, what a trip. Yeah, it actually was...fucking...It was a lot. Oh man. More to talk about.
Source
Monday, July 23, 2018
'Against All Enemies' Set Photos
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Saturday, May 12, 2018
Kristen's jury interview with the Cannes Film Festival
There's something simultaneously light and dark about Kristen Stewart. The elusive actor rose to worldwide fame in the Twilight saga before emerging as a rebellious silver-screen icon with an impressive filmography under her belt. Adored by the public, lauded by the industry, Kristen Stewart made an impact on Cannes in no fewer than three In Competition occasions, first in On the Road by Walter Salles, and then with Olivier Assayas in Sils Maria and Personal Shopper. Last year, the Festival followed the actor's first forays behind the camera with her début short Come Swim, a poignant, heart-wrenching film.
Festival de Cannes, Olivier Assayas, a César, Chanel… are you French at heart?
Almost! I’m getting as close as I can. I’m playing Jean Seberg in Benedict Andrews’ Against All Enemies. A lot of the dialogue is in French, although her accent is terrible. So I have to learn more than I ever have, which will be fun. I’m getting a little closer to being even more French!
Did you go on a French film binge?
Not as much as I should have. I’ve watched a lot of movies but I wouldn’t describe myself as a film buff. My experience has been really incredible because I literally feel like I’m attending film school. Everyone can have an emotional response to a film. It's a universal language. I don’t feel intimidated. French film is home to a really diverse group of people who are all very different, yet all really eloquent and informed. They're kind of like my teachers.
Olivier Assayas says you create a sense of space in the way you act. How do you feel about that?
That space is something he gives me. I made five movies in which I felt the opposite of free. I think an environment that gives you the room to create something unexpected actually takes a huge amount of planning and preparation, and a brilliant mind who knows how to put it all together and make sure everything's working together as it should. Once you have all those ingredients in place, you create space that actually provides you with the room to completely lose control.
I don't try to generate any specific emotion, I never felt like he wanted me to achieve anything in particular. It’s a different way of working and it’s great, although I prefer feeling more directed, having someone waiting with a safety net ready for me to fall into.
In Personal Shopper, you blur gender lines, it’s like you could be either a man or a woman…
That’s perfect because I think that the loss of my character's brother is so central, it’s almost like she wants to be him in order to have him closer to her, in order to not have to miss him and she’s going through this really difficult grieving process. I love that there in an ambiguity in the character, you really never quite know who the fuck she is because she doesn’t know herself.
Could you play a man?
Totally! Gender is a bit of a myth if you ask me. Everyone’s individual relationship with gender is totally theirs to define. But I really think because of the flexibility inherent to gender, there's room for all types of approach.
What's your dream role?
I have a hard time defining what I want to do as an actor. As a filmmaker, as a director, the question is easier. As an actor, I want to never know. I want to be present in something and have it feel so real that I feel like it’s not made up, like I’m honouring a part of the story. It’s always a surprise. As soon as I start having a hand in shaping things...like, I’ll never produce a movie, I promise you. I will never set up a production company. I want to write and direct. And act for people who write and direct.
Your first short film, Come Swim, was revealed here in Cannes. What did it teach you?
Thierry Frémaux has been nice to me. To be honest, it kind of closed a chapter for me. I had this kind of awakening. The thing that I took away from it was that I want to fucking make movies because it feels good, because it really is the best way to capture something, to put your finger on something and to bring a group of people together who feel the same way. Movies can educate, they can bring us together, bridge gaps, make us feel less alone. At the end of that movie I just felt totally fulfilled.
What will your first feature film be about?
I’m adapting a memoir. It’s called The Chronology of Water. Lidia Yuknavitch is from Portland. I love her novels but her memoriees… it’s deeply personal to her. She’s in my blood and I knew that before I met her. As soon as I met her it was like we started this race without any sense of competition. I'm making the movie this summer but other than that, my only goal is just to finish the screenplay and hire a really spectacular actor: I’m going to write the best fucking female role. I’m going to write a role that I want so badly but that I’m not going to play.
Source Cannes Film Festival
Wednesday, March 14, 2018
Kristen confirmed to star as Jean Seberg in 'Against All Enemies'
Kristen Stewart is set to play iconic actress Jean Seberg in Against All Enemies, a hot and timely package that’s come together with an all-star cast. A political thriller directed by Benedict Andrews (Una), the story is inspired by true events about the Breathless pixie who in the late 1960s was targeted by the illegal FBI surveillance program COINTELPRO. Fred Berger (La La Land) and Brian Kavanaugh-Jones of Automatik are producing alongside Kate Garwood and Stephen Hopkins, as well as Andrew Levitas of Metalwork Pictures. Memento Films International is handling offshore sales. UTA and Endeavor Content are repping North America.
Related'Beyond' Producer Automatik Ramps Up TV Push With Justin Levy Hire
Also starring are Jack O’Connell, Anthony Mackie, Margaret Qualley and Colm Meaney. The original script is by Joe Shrapnel and Anna Waterhouse (The Aftermath, Edge Of Tomorrow 2). The film will shoot this summer.
Seberg, an American actress who spent half her life in France, was a darling of the French New Wave. Because of her political and romantic involvement with civil rights activist Hakim Jamal (Mackie), she was also a target of the FBI’s attempts to disrupt, discredit and expose the Black Power movement. O’Connell plays the ambitious young FBI agent assigned to surveil her, only to find their fates dangerously interwoven.
Stewart has herself become a darling in France where she has starred in two films by lauded director Olivier Assayas. The Twilight saga alum is the only American actress ever to win a César Award, the country’s equivalent to the Oscar. She scooped that trophy for Assayas’ 2014 Cannes pic Clouds Of Sils Maria. Stewart is repped by Gersh.
Acclaimed stage director Andrews made his feature debut with 2016’s Una. His current West End production of Cat On A Hot Tin Roof stars O’Connell, Sienna Miller and Meaney. Of Against All Enemies, he says, “Anna and Joe’s brilliant screenplay combines the torque and epic scope of a conspiracy thriller with the raw intimacy of a love story. I’m thrilled to be working with such an extraordinary ensemble, led by some of the most outstanding actors working today in Kristen, Jack and Anthony. I can’t wait for the collision of these electric talents as Jean, Jack and Hakim.” Andrews is repped by UTA and Judy Daish.
The producing team chimes in, “We feel unbelievably lucky to have Benedict Andrews’ fierce talent coupled with an astonishing ensemble of actors giving voice to this riveting and frighteningly urgent story.”
France’s Memento is coming hot off its success with Academy Award winner Call Me By Your Name. The company calls Against All Enemies, “a profoundly topical movie, both thrilling and moving. Kristen Stewart will give the depth required for this fearless character, supported by an amazing ensemble cast. It will be an epic tale of conspiracy and glamour. We couldn’t be more excited to be part of this outstanding project.”
Kavanaugh-Jones and Berger partnered in Automatik in 2016 and are currently in production on Karyn Kusama’s Destroyer starring Nicole Kidman. They recently wrapped Chris Weitz’s Operation Finale starring Oscar Isaac and Ben Kingsley, and Miles Joris-Peyrafitte’s Dreamland starring Margot Robbie.
Metalwork Pictures’ recent titles include Georgetown with Christoph Waltz, Vanessa Redgrave and Annette Bening; The White Crow with Ralph Fiennes and Adèle Exarchopoulos; and Farming starring Kate Beckinsale and Gugu Mbatha-Raw.
O’Connell (Unbroken) is repped by CAA and Conway Van Gelder Grant; Detroit and The Avengers series’ Mackie is repped by UTA and Inspire; Qualley (Novitiate) by UTA and 360; and Meaney (Hell On Wheels) by ICM. Shrapnel and Waterhouse, who are adapting Pulitzer Prize winning novel Blood In The Water for Amy Pascal, as well as writing Edge Of Tomorrow 2 for Doug Liman and Christopher McQuarrie at Warner Bros, and have The Aftermath starring Alexander Skarsgard, Jason Clarke and Keira Knightley to be released by Fox Searchlight later this year, are represented by CAA and Grandview.
For our previous post on this project in Production Weekly (via @TeamK_1) please go here.
Source
Wednesday, March 7, 2018
Kristen to star in 'Against All Enemies' ('Seberg')
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