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Dorian Award Nomination: BEST FILM PERFORMANCE
Nicolas Cage, Pig (Neon)
Jessica Chastain, The Eyes of Tammy Faye (Searchlight)
Olivia Colman, The Lost Daughter (Netflix)
Benedict Cumberbatch, The Power of the Dog (Netflix)
Penelope Cruz, Parallel Mothers (Sony Pictures Classics)
Andrew Garfield, Tick, Tick. . . Boom! (Netflix)
Renate Reinsve, The Worst Person in the World (Neon)
Simon Rex, Red Rocket (A24)
Kristen Stewart, Spencer (Neon)
Tessa Thompson, Passing (Netflix)
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'Spencer' is nominated for Best Film Music
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Winners announced 17 March.
Best Lead Actress
Jodie Comer - The Last Duel
Olivia Colman - The Lost Daughter
Tessa Thompson - Passing
Kristen Stewart - Spencer
Agathe Rousselle - Titane
Renate Reinsve - The Worst Person in the World
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Other Nominations: Best Picture, Best Original Score, Best Costume Design, Best Hair and Makeup, Best Cinematography
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Winners announced 6 March.
“Remember Pablo telling you that there’s nothing better than a tired actor?” Stewart asks, recalling an earlier conversation we had with LarraÃn. She’s not completely sold on that notion. But she kept this ELO song in the sort of secured place like you’d house a fire extinguisher, and then on the day, she broke the glass, played the ballad and was properly gutted by it.
“Oh, my God, it’s so good,” Stewart says. “You should play it in the car when you leave ... unless you want to play it right now.” We consider it but then get distracted by another “Spencer"-adjacent song, Lou Reed’s “Perfect Day.” We’d been talking about Los Angeles, and I ask her what she thinks would constitute a perfect day for someone visiting L.A. for the first time. Not surprisingly, given her love for the city (she has an L.A. tattoo on her wrist), Stewart has an answer that’s so sensational in its specificity that it belongs on the city’s tourism board website.
“OK, we’d wake up early and walk up to the [Griffith] observatory,” Stewart begins. “It’s stunning. You look at where James Dean did his thing. You look at that weird bust thing. Then on the way back instead of taking the trail that we came up on, because I hate retracing my steps, I would find the secret staircase that leads you down into a different neighborhood with all these cool homes.
“Then on Riverside Drive, we’d find the truck and get a Ricky’s fish taco. It’s the greatest taco, absolutely perfect, one of the best things I’ve had in my whole life. They’re classic Baja, but they also do shrimp. Get one of each. Don’t forget all the sauces, because they don’t put them on themselves, which is good, because you can control it.” (Stewart would be the first to tell you she’s a control freak.)
“Then I think you should have some alone time and just enjoy the air,” Stewart continues. “Maybe take a walk around Los Feliz, pick some loquats if they’re in season and then go watch a movie at the Vista or the Los Feliz 3.” She laughs. “This is all within five minutes of my house.” Which makes sense, she adds, as she has lived on the Eastside for most of her adult life. (“If it gets below 75 degrees, I’m freezing,” Stewart says.)
There are endless variations of this perfect day that Stewart would recommend. Take Topanga Canyon to PCH, head north and land at whichever beach isn’t too crowded. “Go to f— Venice,” she enthuses. “Go rollerblading. Bring a sandwich. People-watch.” Go to In-N-Out and have a cheeseburger or grilled cheese. Go have a taco at Yuca’s in Los Feliz.
“I would just go have tacos all day,” Stewart says when I point out a certain running thread in her picks. “I wouldn’t eat anywhere that isn’t a stand or a truck. Like, I would wait for it to get really late, take you to the Valley, skate around and get really hungry and then find a taco truck that stays open all night. Because tacos taste different at that hour ... even if you’re not wasted.”
Stewart, 31, has enjoyed a few days of late that, if not perfect, come pretty damn close. She was nominated for her first Oscar, for “Spencer,” which came as a surprise to her, even though her unflinching portrayal of Diana ranked as one of the finest moments in a distinguished career. How much of a surprise? Stewart didn’t set an alarm on the morning nominations were announced, telling Meyer, “Dude. Just doing the movie was enough for me.” Then she woke up at 7, as it was getting light in their bedroom, looked at her phone, saw scores of text messages and emoji balloons and turned to Meyer and said, “Oh, my God, dude, I got it.”
“It was just such a surreal moment,” Stewart says, laughing at the memory. “I will be totally honest and just say it was so cool. I could not believe it.”
The real question — and I’m not going to ask her to choose — is whether she was more stoked about the Oscar nomination or the hole-in-one she scored near the end of 2020 at Roosevelt Golf Course in Griffith Park. Stewart became obsessed with golf two years ago, rediscovering the game she took up with her dad as a kid when they’d hit balls at the Van Nuys Golf Course. The catalyst was finding a couple of friends, “lady golfers” she likes to call them, who matched her size, experience level and enthusiasm.
“We’re all just trying to outdo each other instead of just getting smoked at the golf course,” Stewart says, noting that the sport is demoralizing enough without playing with people above your level. And, she adds, “walking around Roosevelt with your homies” qualifies as another classic L.A. experience.
“We just have these relationships with these little deer and coyotes,” Stewart says. She hands me her phone, showing me a picture she took moments after her hole-in-one. She’s lying on the green at Roosevelt’s ninth hole, looking delirious, like she had been struck by lightning. For the record: Stewart used a seven-iron on the 124-yard hole because it was late in the day and her hands were freezing.
“I was not feeling strong,” she says, wanting me to make sure to note that’s why she wasn’t using, say, a nine-iron on such a short hole. And, as we’ve already established, she gets cold easily.
Stewart can also be prone to moments of self-consciousness. She’s never been one to follow rules, but when she was younger, she used to dread getting in trouble. She remembers growing up in Woodland Hills (“I’m proud to be a Valley girl”) and skateboarding to a little hill overlooking Ventura Boulevard and sneaking through someone’s backyard in order to access the slope and look at the world.
“That was my favorite thing, because that one hill would turn green in the spring for, like, two weeks before the Valley summer turned it brown,” Stewart says. “It was the coolest worst thing I could do, because I had to kind of break into a backyard to get there. But I never got caught. I didn’t have a problem with being slightly reckless, but it was the getting-caught part that always worried me.”
Stewart says she’s more open to being an “embarrassing idiot” now, offering as an example how she has mostly worked through her fear of dancing in public after filming dance scenes for “Spencer.” Still, when we’re talking about how much she loves driving around L.A., listening to music in her car — she grew up on local oldies station K-EARTH 101 and remains a devoted listener, even though she’s “completely rattled” that the station’s idea of what constitutes an “oldie” has moved from Motown to Modern English — she refuses to sing along if someone else is in the car. And don’t even bring up karaoke.
“But if someone asked me to do a musical, I’d be like, ‘F— yeah,’” Stewart says. “Because someone would teach me, and I’d end up having an experience that’s totally outside my comfort zone, one that would change me. That’s immensely appealing.”
Which makes me think about her upcoming wedding — or, more specifically, her upcoming wedding reception. She and Meyer became engaged last year, and Stewart wants to get married, sooner rather than later. The ceremony itself doesn’t mean that much to her. It’s more about the party afterward, the gathering of their friends and families, a big group of people who’d never otherwise be together in the same place.
“I kind of think I want to do that,” Stewart says, drawing out every word in that sentence. “But then when I really think about it, I’m like, ‘Do I want to do that?’”
“There would be public dancing,” I offer. “There’s no way you could avoid that.”
“Definitely ... we would have to dance through that,” Stewart says. “You’d have to take the piss a little bit. We’d have to be like, ‘This is absurd that we’re doing this.’ There was a time in my life where I was like, ‘No, I would never get married. Like married married, like put a dress on and walk down the aisle married. And by the way, I’m not doing that. That’s not going to be the type of wedding that I have. The fact that I’ve already said, ‘Hey, let’s get married’ and that we have rings and stuff ... we’re kind of already done.”
Stewart leans in. It’s been dark outside for a while now, and it’s time to get home to our valentines. But she’s still sorting her thoughts about the wedding, wondering if she’s being too impulsive.
“The thing is, I always kind of blow presentation,” Stewart says. “I have all these big ideas, like I will get a friend a beautiful present that I’m so proud of. And I just think they’re going to love it. But instead of wrapping it up and like putting a bow on it and giving it to them at the right time, I’m like, ‘Oh, my gosh, I have this thing and I know it’s like a week before your birthday, but just f— have it because I love it and I love you.’ And if I had just wrapped it and put this in their hands on the right day, the impact would have been greater.
“And so I’m probably going to do that with my wedding too.” She cracks up at the thought. “I’m probably going to look back and have to do it again ... which would surprise absolutely no one who knows me.”
THR Kristen Stewart will serve as the honorary chair of the 2022 Spirit Awards, Film Independent announced on Thursday.
The actress was recently nominated for an Academy Award for her performance in Spencer. Her portrayal of Princess Diana has garnered her more than 22 critics awards.
“Independent film has been a formative and vital aspect of my life since I was a child. As an insider and an outsider it’s clear to me how the support it offers artists is essential. I couldn’t be more proud to serve as honorary chair this year and to help in celebrating all the nominees!” says Stewart.
Film Independent’s Josh Welsh adds: “We are thrilled to have Kristen Stewart serve as our honorary chair this year. A true risk-taker, in all of her choices she embodies the fearlessness and bold originality that is at the heart of the Spirit Awards.”
Stewart starred in 2002’s Panic Room and then gained global recognition when she starred in The Twilight Saga. In 2015, she became the first American actress to be awarded a Cesar Award in the best supporting actress category for her role in Clouds of Sils Maria. Then, in 2017, she made her directorial debut with Come Swim which premiered at the 2017 Sundance Film Festival.
Her other credits include Lizzie, Seberg, Charlie’s Angels and Happiest Season. Next up, she’ll be seen in David Cronenberg’s Crimes of the Future alongside Viggo Mortensen. She recently wrapped a sci-fi love story film with Steven Yeun, and is co-writing and directing The Chronology of Water.
Past honorary chairs include Shaka King, Lena Waithe, Ava DuVernay, Jessica Chastain, Ang Lee, David Oyelowo, Jodie Foster, Javier Bardem, Kerry Washington, Tom Cruise, Samuel L. Jackson, Nicole Kidman and Julianne Moore, among others.
The Spirit Awards will take place on March 6 and will air on IFC and stream on AMC+ at 5 p.m. ET.
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Film Independent With her work in the Twilight franchise now safely confined the juvenilia wing of the Kristen Stewart archives, cineastes today are far more likely to associate the actor’s name with a long string of critically acclaimed art house favorites. From teenage rockers to iconic royalty, the 31-year-old performer has been breathing life into complex—and frequently marginalized—characters for two decades, going all the way back to her arresting turn alongside Jodie Foster in David Fincher’s 2002 thriller, Panic Room. As the kids would say, we Stan.
It’s no surprise then that this morning, Stewart was named the Honorary Chair of the 2022 Film Independent Spirit Awards—a position previously bestowed on figures including Shaka King, Lena Waithe, Ava DuVernay, Jessica Chastain, Ang Lee, David Oyelowo, Foster, Javier Bardem, Kerry Washington, Tom Cruise, Samuel L. Jackson and Julianne Moore, among others.
“Independent film has been a formative and vital aspect of my life since I was a child,” said Stewart. “As an insider and an outsider, it’s clear to me how the support it [independent film] offers is essential. I couldn’t be more proud to serve as Honorary Chair this year and to help in celebrating all the nominees!”
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Kristen Stewart on Love—Onscreen and Off
Kristen Stewart is not going to play it cool. “Everyone wants to win an Oscar, you know?” she says. She’s looking at me through rose-colored glasses, glowing in the California sun. Her face is sharp and delicate, like a marquise-cut diamond, framed by blond strands near-black at the roots. Her dog, Cole, barks in the Zoom background, lounging somewhere in the spacious Palm Springs Airbnb where Stewart is on vacation. Stewart is in the midst of an awards campaign for Spencer, Pablo LarraÃn’s haunting portrait of three gasping days in the life of Princess Diana. The role has earned the actor—whose career began at 9 and exploded at 18—a new level of critical acclaim.
“I’m totally touched,” she says, smiling and taking off her sunglasses. It’s actually less about a particular statuette and more about the zeitgeist buoying a piece of work that she’s extremely proud of. She’s happy to be in the conversation and didn’t expect it—which is to say that after starring in the blockbuster Twilight franchise, she has used her clout to pick surprising films, like Clouds of Sils Maria, an Olivier Assayas drama that earned Stewart a César.
For years, Stewart’s appeal lay in her coolness, in the mumbling, angsty thing she projected in Twilight and refined over time. There have always been those who argue she’s among the best female actors of the millennial generation, and that sentiment is spreading. In the past, she tried to learn lines as close to filming as possible, allowing the words to stay alive longer. The Ram Dass school of acting; be here now, or nowhere. But Stewart had to eschew all that to play Diana, which required months of research and accent training. LarraÃn had unwavering faith in his American star—“He was always like, ‘If you wanted it to be, it could be as good as A Woman Under the Influence!’ ”—and Stewart went inward, channeling Diana’s loneliness. “One of the remarkable things is that she was so friendless,” she says, saddened. “I’m constantly going, ‘Where was your fucking homie?’ ”
Stewart sank as far as she could into every aspect of the princess’s pain, including her battle with bulimia. Spencer depicts her disorder frankly, showing her violently purging in a bathroom. “I wanted to make sure that was not glossed over,” says Stewart. She prepared herself beforehand and, in the scene, attempted to really purge. (“I’ll do fucking anything.”) LarraÃn, who was operating the camera, pushed in on her anguished face, capturing the act, but Stewart struggled. “I couldn’t throw up on this movie, even when I really should have,” she says. “I felt like absolute shit and I could not get it up, and I know it was because my body was just like…the idea of that was so untouchable.”
Despite her obsessive research, Stewart didn’t become an expert on the contemporary royals and only watched snippets of the explosive Prince Harry and Meghan Markle interview with Oprah Winfrey. “It was almost too hot to touch in terms of how personal it was for me at that time,” she says. I ask her if it’s strange to think about Harry and Meghan living in California. As improbable as it seems, Stewart was unaware of their move. “That’s so funny. I wonder where,” she muses. Then she stops. “I’m no better than anyone! Of course I want to know.” Santa Barbara, I tell her. She nods approvingly. “That makes sense. It’s really nice up there.”
Stewart herself lives in L.A. and, in November, revealed her engagement to her girlfriend of more than two years, screenwriter Dylan Meyer. “I love being engaged,” Stewart says with a smile. “It’s different.… I just feel so happy and lucky.” The duo is working on a TV show together, in which Stewart has said she will star. At first she was a little scared to work with Meyer, worried it might go sideways: “You don’t want that to affect this beautiful relationship you have.” They wound up writing the first episode in a week and a half. “Like we discovered a superbrain,” says Stewart. “She’s a really genuinely brilliant fucking screenwriter.”
While she looks ahead to future projects, she’s still firmly in the present, happily reuniting with LarraÃn on the awards trail for Spencer. The director’s confidence in her continues unabated. “He just loves this movie and me so much, and the purity of that is the sweetest and coolest thing,” she says. “We had such a great fucking time. There’s no way around that.”
BEST ACTRESS
Jessica Chastain, “The Eyes of Tammy Faye.”
Penelope Cruz, “Parallel Mothers.”
Alana Haim, “Licorice Pizza.”
Emilia Jones, “CODA.”
Kristen Stewart, “Spencer.”
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Other nominations: Best Costume/ Makeup and Best Music
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Winners announced on 6 March.