Rose, you always had Kristen in mind for the role of Lou. What did it take to convince her to do the movie?
RG: Luckily she saw Saint Maud and really liked it. Now that we're doing press for this film, she's said I could have offered her anything and she would have done it, which is nice. I met her when she came to London to promote Spencer and we had what I thought was a really bad meeting, I thought I came across very badly and got unexpectedly really starstruck and tongue tied. But anyway, she was up for it.
Katy, I read you heard about the part of Jackie because a friend tagged you in something on Instagram. When you actually got your hands on the script, what were your first reactions?
KO: I got my hands on the script after my first audition. So I didn't know anything really in that first audition except that it's this queer Midwestern girl going for a bodybuilding competition, and I was like, well, that's me, so I'm just gonna do me. Then when I when I finally read the script, I was terrified. Jackie goes through a lot. She does a lot of shitty things in this movie. I've not done scenes this violent before. I haven't done scenes as intimate before, but also I haven't had scenes that are so fucking embarrassing. I was like, Okay, I have to do this project. This is the thing that's either going to help me as an actor or tell me I don't want to do this anymore.
How did you both know the pairing of Katy and Kristen would work?
RG: They met for the first time when we did the chemistry reads. We saw a couple of other people read with Kristen, but the thing that clinched it was seeing the two of them together and just being like, Oh, you can really see something there. The chemistry thing is so unquantifiable. There has to be this extra spark of something.
KO: We're both such awkward people that we could work as our characters and people are like, Oh my god, this is amazing. You must be like, so tight. And then offset we're like, so, um, how are you today? We're just like really awkward people. It was fun to see her process and the way that she builds up her energy and nervousness. She has to really physically manifest that, running around jumping up and down and getting into that moment, she gets really anxious and she stays in that elevated state.
RG: They both really embody the yin and yang of the characters. Katy's incredibly strong and powerful and Kristen's the weak, frail one. But Katy brings this really important softness and vulnerability and sweetness to Jackie. Kristen brings a real hard, moody antihero kind of vibe. It's a very complimentary couple.
Katy, what was your favorite moment working together?
KO: There's a scene where Kristen and I push a car off a cliff, but our stunt doubles did that. They were like, it's not safe, and we were like, we want to push that car off a cliff. But Kristen got throw real Molotov cocktails off of the ridge. So the car is already on fire from below. And then Kristen throws a Molotov cocktail over, so it explodes. And we feel the explosion from the top of this ridge. Those reactions are genuine. We were not expecting that much fire to come back up.
And luckily for this role, you're already someone who is absolutely shredded. But what further prep did you have to do?
KO: I was given two weeks notice that I booked the project, so they hooked me up with my trainer two weeks beforehand. I was grateful I already had the muscle because then we were in the cutting phase. I tend to do bodybuilding workouts year round anyway, but not as intense. So in reality, if you're going to be competitive, you have to think of it as like a year-round thing. You're eating to grow muscle in the offseason. And then you're very slowly cutting fat. My trainer is really good at training people for film. So he knows okay, this is the muscle that a camera is gonna see better, so he really knows how to train you for the camera lens. And it's different than training for stage. So he was able to do some cool things with my muscles to make them pop on camera.
A lot of people are praising this movie for how horny it is, but I want to dig into that a little deeper. Rose, how much does that factor into your process when writing the script? Did you want to write a "horny" movie?
RG: I knew I wanted to make something sweaty and violent. So the sweat came first and the visceral bodyness. But then very quickly in writing it me and Weronika Tofilska, my writing partner, decided it should be a love story. If you've got sweaty, muscle-y, greasy people taking a bunch of drugs and falling in love, probably they're gonna have some interesting, fun sex as well.
What was it like for both of you to work with an intimacy coordinator, both in front of and behind the camera?
RG: I was a little apprehensive that it would feel like somebody else was taking over, but it's kind of like working with a stunt coordinator. You try to be as specific as you can in writing the scenes, like, hand goes here, head goes there. I talk with the intimacy coordinator about each scene and clarify with them exactly how I'm thinking of shooting it. And then she basically has separate meetings with both the actors and they have a chance to voice any concerns. So by the time you get on set, everybody knows exactly what is and what isn't going to be happening. Then they kind of take a backseat and it almost feels like you have a motherly school teacher sort of vibe, in a nice way, checking in.
KO: I loved it. They're like, don't hesitate to pull me aside and be like, I'm not comfortable with this. But we were doing some intimate scenes in 100 degree weather. So when we were pulling each other's pants off, we had some kind of cover, like fake underwear, and they taped that down. And then they put another layer on and they taped that down, and then they put a cut out yoga mat on top of me and they taped that down. But everyone was very collaborative and making sure that everyone was comfortable. I wanted to make sure Kristen knew I wasn't trying to take advantage of her. She wanted to make sure that I didn't feel taken advantage of.
Where do you both think Jackie and Lou end up after the credits roll?
KO: The realistic side of me is like, well, they get arrested eventually, they get extradited back to New Mexico and they go to jail for murder and all the things. But the movie side is like okay, so they go out to California and try to start anew, and I think they would eventually get over each other. I kind of hope they don't stay together because they're not good for each other. Maybe they'll go to California and murder more people and that can be Love Lies Bleeding Part Two. But whatever the end is, I hope the cat is fine.
RG: Short term, I think it's going to be great and continue to be a lot of fun. Maybe they'll get to the next bodybuilding competition. I'm not sure how highly I rate their long term prospects, but you never know. It's what they both needed at that point. So long as Jackie continues bodybuilding, and Lou doesn't really have a huge amount of purpose beyond getting out of this town, she'll continue to latch herself on to Jackie too much. At one point were like, maybe maybe Lou should go and become a slightly manipulative manager, but I don't want to write a sequel just yet.
No comments:
Post a Comment
What do you think of this?