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Friday, October 27, 2023

Kristen's interview with People for 'Living for the Dead'

 

Kristen Stewart is getting into the Halloween spirit — literally.

PEOPLE has an exclusive sneak peek at a conversation between the actress and her Living for the Dead co-creator CJ Romero from an upcoming episode of Exactly Right's Ghosted! By Roz Hernandez podcast, in which she describes once seeing an unexplained apparition.

Stewart, 33, explained that she was in Regina, Canada, filming a "movie about ghosts" (likely 2007's The Messengers) when she was around 15 years old, and was staying in a "very old" hotel with her mother when the paranormal incident occurred.

It began when she saw a water bottle that had been knocked over, which she attributed to a cat named Max that was with her at the time — but she soon realized the animal couldn't have been the culprit, as he'd been sleeping at her feet.

"And then all of a sudden I felt like my legs had been kind of pushed down. 'Cause they were up — like, my knees were up," Stewart recalled.

The actress insisted that she "was genuinely not sleeping" during the encounter, which "was another thing that people tried to debunk [her] on," as her loved ones didn't believe her.

"They were like, 'Maybe you were dreaming.' I was like dude, I wasn’t even laying fully down," she continued. "Then all of a sudden, I was straightened out."

"So it made me open my eyes, and when I opened my eyes, it was a lady in colonial garb," Stewart said, joking that the ghost was akin to the scene in Bridesmaids with the vision of the colonial woman on the wing of the airplane.

"There was a lady in old-school clothes, with darkened features and rollers in here hair, and sort of looming over my bed, as high as the top of the drapery," she added. "I couldn't make a sound for a very long time."

"You could not f---ing convince me that I did not see a ghost," Stewart said.

She also recalled the lights flickering in her home and Romero blacking out at the same time when she and Romero were there once, not long after the tragic death of their friend Ryan.

"I was telling this story of [Ryan] because we had just lost him, and then CJ comes back from driving his friend to the gate," she remembered. "He’s walking down the stairs and suddenly just stops and kind of — I mean, not to take a profound and delicate scenario and make it funny, but he looked all of a sudden so truly possessed, and I did think maybe he was having a weird episode."

But as Stewart called Romero's name to try and snap him out of it, "He just didn’t hear a word I said and turned toward this wall and just sort of walked like into it," she said.

"And then stopped and was like, 'Hey, whoa,' and then starts immediately uncontrollably crying," the actress added.

Stewart executive-produced and narrates Hulu’s new docuseries Living for the Dead, featuring five queer ghost hunters as they investigate famed haunted locations around the United States.

“It’s so cool and enlivening that me and my best friend CJ Romero had this funny idea and now it’s a show,” she said in a statement last month. “It started as a bit of a hypothetical silly pipe dream and now I am so proud to have shepherded something that is as moving and meaningful as it is truly a gay old time.”

The team — including Hernandez plus Alex Le May, Juju Bae, Ken Boggle and Logan Taylor — “makes me laugh and cry and they had the courage and heart to take us places I wouldn’t go by myself,” added Stewart.

“And it’s a super cool maiden voyage for the company I’ve started with my partners Dylan Meyer and Maggie McLean," she said.

All episodes of Living for the Dead are now streaming on Hulu, while Stewart and Romero's full Ghosted! By Roz Hernandez podcast episode is out Oct. 30.

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Wednesday, October 25, 2023

Monday, October 23, 2023

Kristen signs an open letter to President Biden for a ceasefire between Palestine and Isreal

 

A group of 55 prominent artists and advocates in the entertainment industry have signed an open letter to President Joe Biden, urging for a call for a ceasefire in Gaza and Israel.

The signatories include names such as Joaquin Phoenix, Cate Blanchett, Jon Stewart, Kristen Stewart, Susan Sarandon, Mahershala Ali, Riz Ahmed, Ramy Youssef and Quinta Brunson.

“We urge your administration, and all world leaders, to honor all of the lives in the Holy Land and call for and facilitate a ceasefire without delay – an end to the bombing of Gaza, and the safe release of hostages,” the letter reads.

The statement, distributed by the organization Artists 4 Ceasefire, also includes a comment from UNICEF spokesperson James Elder, emphasizing the devastation inflicted on the population of Gaza by ongoing Israeli air strikes and blockades on water and power.

“Children and families in Gaza have practically run out of food, water, electricity, medicine and safe access to hospitals, following days of air strikes and cuts to all supply routes,” Elder’s statement reads. “Gaza’s sole power plant ran out of fuel Wednesday afternoon, shutting down electricity, water and wastewater treatment. Most residents can no longer get drinking water from service providers or household water through pipelines…. The humanitarian situation has reached lethal lows, and yet all reports point to further attacks. Compassion — and international law — must prevail.”

Another letter demanding a ceasefire in Gaza and opening for humanitarian aid in the region drew several significant signatories earlier this week. The statement, from Artists for Palestine UK, was signed by figures such as Tilda Swinton, Charles Dance, Steve Coogan, Miriam Margolyes, Michael Winterbottom, Mike Leigh and Asif Kapadia. The letter accused the British government of “not only tolerating war crimes but aiding and abetting them.”

On Oct. 7, the Palestinian militant group Hamas launched an unprecedented attack on Israel, killing more than 1,400 people and taking over 200 hostages. The Israeli government has responded by launching a “complete siege” on Gaza, as described by Israel’s minister of defense Yoav Gallant. More than 3,800 Palestinians have been killed in the conflict, per the Ministry of Health of Palestine.

In a visit to Israel earlier this week, President Biden affirmed the United States’ allegiance to Israel, stating that he would “ask the United States Congress for an unprecedented support package for Israel’s defense.” He also worked with Egyptian President Abdel Fattah el-Sissi on an agreement to open the country’s sealed border with Gaza, allowing up to 20 trucks carrying humanitarian aid supplies to provide relief to a population of more than two million people.

Read the full statement and the list of signatories below.

Dear President Biden,

We come together as artists and advocates, but most importantly as human beings witnessing the devastating loss of lives and unfolding horrors in Israel and Palestine.

We ask that, as President of the United States, you call for an immediate de-escalation and ceasefire in Gaza and Israel before another life is lost. More than 5,000 people have been killed in the last week and a half – a number any person of conscience knows is catastrophic. We believe all life is sacred, no matter faith or ethnicity and we condemn the killing of Palestinian and Israeli civilians.

We urge your administration, and all world leaders, to honor all of the lives in the Holy Land and call for and facilitate a ceasefire without delay – an end to the bombing of Gaza, and the safe release of hostages. Half of Gaza’s two million residents are children, and more than two thirds are refugees and their descendants being forced to flee their homes. Humanitarian aid must be allowed to reach them.

We believe that the United States can play a vital diplomatic role in ending the suffering and we are adding our voices to those from the US Congress, UNICEF, Doctors without Borders, The International Committee of The Red Cross, and so many others. Saving lives is a moral imperative. To echo UNICEF, “Compassion — and international law — must prevail.”

As of this writing more than 6,000 bombs have been dropped on Gaza in the last 12 days — resulting in one child being killed every 15 minutes.

“Children and families in Gaza have practically run out of food, water, electricity, medicine and safe access to hospitals, following days of air strikes and cuts to all supply routes. Gaza’s sole power plant ran out of fuel Wednesday afternoon, shutting down electricity, water and wastewater treatment. Most residents can no longer get drinking water from service providers or household water through pipelines…. The humanitarian situation has reached lethal lows, and yet all reports point to further attacks. Compassion — and international law — must prevail.” – UNICEF spokesperson James Elder

Beyond our pain and mourning for all of the people there and their loved ones around the world we are motivated by an unbending will to stand for our common humanity. We stand for freedom, justice, dignity and peace for all people – and a deep desire to stop more bloodshed.

We refuse to tell future generations the story of our silence, that we stood by and did nothing. As Emergency Relief Chief Martin Griffiths told UN News, “History is watching.”

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'Living for the Dead' producers talk about Kristen with the Daily Beast

 

You may have watched ghost-hunting shows in the past, but you have never seen anything quite like Living for the Dead.

From the brilliant minds of Kristen Stewart, her friend CJ Romero, and the folks at Scout Productions that brought us Queer Eye, Living for the Dead combines all the elements we know and love from the Netflix series (the heart, the humor and, of course, the hugs) with some spooky ghost hunting in some seriously haunted places.

“We always joked from day one that this is gay Scooby-Doo,” executive producer Rob Eric, who also worked on both the original and rebooted Queer Eye, told The Daily Beast’s Obsessed.

And the Scooby gang in Living for the Dead does not disappoint. Juju Bae, Alex LeMay, Roz Hernandez, Logan Taylor, and Ken Boggle make up what I’ve dubbed the Paranormal Five (a supernatural twist on the Fab Five). They all bring unique talents (as well as an abundance of compassion) to the investigations, whether it’s communicating with the spirits, manning technical equipment, or doing deep spiritual readings of those most affected by the spirits in the place.

The first season of the unscripted series, which premieres on Hulu Oct. 18, finds the gang taking their ghost-hunting talents across the Midwestern United States to investigate some legendary haunted landmarks like the Clown Motel in Tonopah, Nevada, as well as some lesser-known, reportedly eerie spots like the Palomino Club in Las Vegas.

Ahead of the premiere, executive producers Rob Eric and Renata Lombardo tell Obsessed how Stewart brought the idea to them, the moment they knew they found their amazing queer Scooby Gang, and why this ghost hunting show is unlike any other.

First of all, this concept is brilliant: Queer Eye, but for paranormal hunting. Love it. I know that this was an idea that Kristen Stewart and CJ Romero came up with, but how was this pitched to you?

Eric: We got a call that Kristen Stewart and CJ had an idea, and do we want to hear it? I’m like, it’s Kristen Stewart, of course, we wanna hear it! (Laughs) It was a seedling of an idea. They were at a brunch and somebody mentioned something about a gay paranormal show, like, why don’t we have one of those? And Kristen was like, “I would fucking watch that forever.”

As would I!

Eric: Kristen was very specific on how she wanted emotion and heart and humor. And so obviously they reached out to the Queer Eye guys. We started talking about it and developed the format with her, and sort of gave away some of our trade secrets of how we create emotion and heart and humor [in Queer Eye], and then shot the show. It was an amazing relationship. We’re still working together on other stuff, and she’s awesome. They’re both awesome.

Lombardo: We were excited about the Kristen Stewart call, but we had no idea truly the power of the celebrity of Kristen Stewart until she mentioned that she was developing the show with us in an interview. I think it was around Spencer, and it got picked up and there were so many articles that came our way. Everyone was like, “Is this you guys? What’s happening?” It just proved that there’s an undeniable stardom with Kristen.

You mentioned the heart and the humor of the show. At one point watching the screeners, I wrote down, “This is ghost therapy,” because it is such a unique and compassionate approach to the paranormal. Instead of going for scares you go in trying to not only heal the spirits, but those affected by them. How did you find this approach?

Eric: I think it was probably what we collectively—Kristen, CJ, and Scout [Productions]—bring to the paranormal, right? We’ve seen a million paranormal shows and for us it always seems like they go in and they sort of irritate the spirit in order to try to do something. We’re like, well, we should actually try to communicate a little bit more, like we do on Queer Eye. It’s not just going in and taking somebody and saying, “Hey, if you use this moisturizer to do this, you’re gonna be great,” and we walk away. There’s more interaction, there’s more character, and there’s more of a companionship between the characters—whether the character is a ghost or the person that’s trying to get rid of the ghost.

Much like finding the Fab Five, I’m sure it was a journey to find the Paranormal Five. Can you kind of walk me through the process of casting these five roles and what you were looking for in each role?

Eric: These were not people that we just pulled from obscurity and said, “Hey, you’re now a medium.” These were people that came to us. They were mediums, and they were people that were skeptics. Not only does Roz have her show about the world of paranormal, but she always is very clear [that] she’s a skeptic. We wanted that element in there as well, because I think the audience always approaches a paranormal show with a bit of skepticism, as well as interest.

Lombardo: We reference, from one end, it’s the heart [we were looking for], and on the other end, it’s like gay Scooby-Doo. We wanted to be able to live in both spaces, so we had to find talent that could walk both lines. One is being sort of serious about the craft and what they brought to the table. And the other one is that we have to have fun with this, because it’s gay camp that we didn’t want to lose in the process. Because they are gay ghost hunters, and [that’s] what makes this show distinctly different tonally from other ghost hunting shows as well.

Yes, there certainly hasn’t been a show like this before.

Eric: When we cast them, it wasn’t just video casting. We brought everybody out. We wanted to meet them in person, see how they can work together. But we also wanted to see their talent. And there were some really scary moments with all of them. Renata sat in when Ken did a reading of my cards and was so frighteningly accurate.

Lombardo: Oh yes. I had chills. Literally, he needed to grab Rob. He was like, “I need to read you,” and pulled him aside. I had chills multiple times because we work together every day. I know him fairly well. And the stuff he was saying, I was like, “How? What?” That was honestly what put him through for us.

Eric: My business partner David, he had a reading from Logan. That was bonkers... [Logan’s reading] was so specific that there was no doubt that there was some connection that he was having. David broke down because it was about his father who had passed away. But it was so connective that it wasn’t just like, “Oh, your dad says hi,” or, “Your dad’s super proud of you.” It was down to a moment that he had on his deathbed that no one would’ve known about and David’s never spoken about. And David had never met Logan before. So it was amazing.

And this was just the audition?!

Eric: Right? And then you got into the field with them and it was nonstop. You’ve got five people who, when they merge together, that communication is open. They’re open for everything. So therefore that world connects much easier for them.

Another character in the show is the locations. They are so fun and spooky and unique. What was the search like not only for the locations, but the people that were in them?

Lombardo: We sought out iconic haunted locations. We made it hard on ourselves because we could have probably just gone to one city and just done more of what we do with Queer Eye, where we hub out of one city and sort of branch out. We shot for the stars in Season 1, which was a hybrid of finding the most iconic spooky locations across basically like the western middle of the United States, and then also finding people that were associated with those locations.

Eric: And some of these places have been done before on other shows. We didn’t care.

Yeah, you do it your way.

Eric: We are doing it our way. And why is this reoccurring? Why does it keep happening in this place if all these people come to visit? What are they not doing that we should be doing? The one thing that we wanted in every location was visibility. We didn’t want to just go have our team stay in a hotel, then they just go visit the people and then we leave. Tonopah is a perfect example.

Lombardo: That’s the Clown Motel episode.

Eric: It’s a really weird little town. I think the population’s like maybe 1,500 people.

Lombardo: Because it’s such a small town, the town got wind that this gay something was there. Something gay is happening in town. (Laughs)

Eric: We shot a sequence in the bar where we were meeting up with some town people. This beautiful moment happened where this woman—who never told us anything about this, we had no idea—brought up the fact that she was dealing with a non-binary child. As that moment was happening, I was downstairs in front of the monitor like, “Dear, sweet baby Jesus, let’s just keep going here.” Because this is that conversation that we don't normally see in paranormal shows, but we also don’t normally see in small towns like this.

It was a really amazing moment.

Eric: And that woman who stands up [after] and she says, “I’m pansexual,” it was this coming-out party that happened and it was a really beautiful, natural thing to see. So we insisted that in every one of our shows we were having visibility in these towns. Not just for the purpose of the investigation, but also the purpose of we’re a very large crew of LGBTQIA+ people. We need to be seen.

I love Kristen Stewart’s narration. It really brings a whole fun, campy layer to the show. How did you come to the decision to include narration, and was Kristen always going to be the voice of it?

Eric: Kristen was always the voice. We talked about it. I think it was Renata’s idea actually from day one.

Lombardo: She’s got such a great voice and such a distinct voice. And we talked a lot at the beginning about, how do you get Kristen’s DNA in the series without Kristen being on the show? So, conceptually it was always sort of like Kristen’s like the Charlie of the Charlie’s Angels. So that's sort of where it started.

Eric: And she’s a perfectionist. In the booth, I remember sitting in one of the sessions where she was just like, “I don't like the way I said that. Let me say it this way. What if I say it like this? What if I bring it here?” Super collaborative. Kristen cares deeply about this show and the people that we’re helping on the show. She wanted every element to be right, and when her voice is essentially the lead thing you hear on the show, she wanted to be just perfect.

Lombardo: And keep watching. You may see her, but in the time being, you’ll hear her.

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